Sharjah Biennial 15: Thinking Historically in the Present
Material type: TextSeries: Sharjah Biennial ; #15Publication details: Sharjah Art Foundation; 2023Description: 440p; 21x20cmISBN:- 9781915656063
Item type | Current library | Collection | Call number | Status | Date due | Barcode |
---|---|---|---|---|---|---|
Book | Flying Saucer Library | Published by Sharjah Art Foundation | N4390-5098 SB15-1 (Browse shelf(Opens below)) | Available | 4293-3 | |
Book | Flying Saucer Library | Published by Sharjah Art Foundation | N4390-5098 SB15-1 (Browse shelf(Opens below)) | Available | 4293-4 | |
Book | SAF Reference Library | Published by Sharjah Art Foundation | N4390-5098 SB15-1 (Browse shelf(Opens below)) | Available | 4293-1 | |
Book | SAF Reference Library | Published by Sharjah Art Foundation | N4390-5098 SB15-1 (Browse shelf(Opens below)) | Available | 4293-2 |
Browsing SAF Reference Library shelves, Collection: Published by Sharjah Art Foundation Close shelf browser (Hides shelf browser)
N4390-5098 SB15-2 بينالي الشارقة 15: التاريخ حاضراً/ | N4390-5098 SB15-2 بينالي الشارقة 15: التاريخ حاضراً/ | N4390-5098 SB15-1 Sharjah Biennial 15: Thinking Historically in the Present | N4390-5098 SB15-1 Sharjah Biennial 15: Thinking Historically in the Present | N4390-5098 SAF2024-2 Abdullah AlSaadi- Sometimes You Have to go a Long Way to Come back a Short Distance / | N4390-5098 SAF2024-2 Abdullah AlSaadi- Sometimes You Have to go a Long Way to Come back a Short Distance / |
This publication accompanied the 15th edition of Sharjah Biennial (SB15), conceived by the late Okwui Enwezor and curated by Hoor Al Qasimi, President and Director of Sharjah Art Foundation. The presentation reflected on Enwezor’s visionary work, which transformed contemporary art and established an ambitious intellectual project that has influenced the evolution of institutions and biennials around the world, including Sharjah Biennial. SB15 was a retroactive and momentous edition, enacting the multi-layered histories of the Biennial itself and Sharjah as host city. It brought together artists, practitioners and programmes that have been critiquing monolithic understandings of nationhood, tradition, race, gender, body and imagination, in order to present a nuanced take on contemporary practices informed by postcolonial subjectivity.
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