Refugee Heritage 2014-2021: World Heritage Nomination Dossier- تراث الالجئين ملف الترشيح للتراث العالمي مشروع دار // ساندي هالل وأليساندرو بيتي التوثيق الفوتوغرافي من قبل لوكا كابوانو / by Sandi Hilal (Author), Alessandro Petti Eds. (Author)

Contributor(s):

Material type: Text

TextPublication details: Art And Theory; 2021Description: 328p; 30x22cmISBN:

9789198606591

Subject(s):

NA1-60 Architecture- General

Summary: Refugee camps are established with the intention of being demolished. As a paradigmatic representation of political failure, they are meant to have no history and no future; they are meant to be forgotten. The history of refugee camps is constantly being erased and dismissed by states, humanitarian organisations, international agencies, and even by refugee communities themselves, who fear that any acknowledgment of the present condition in the camp may undermine their right of return to their place of origin. In tracing, documenting, revealing, and representing refugee history beyond the narrative of suffering and displacement, this book is an attempt to imagine and practice ‘refugeeness’ beyond humanitarianism. Photographic documentation by Luca Capuano.

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Item type	Current library	Collection	Call number	Status	Date due	Barcode
Book	SAF Reference Library	Architecture	NA1-60 160.325 (Browse shelf(Opens below))	Available

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Institutional collaboration DAAR- Decolonizing Architecture Art Residency, Campus in Camps- جامعة في المخيم, Popular committees of Southern West Bank Refugee Camps: Royal Insitute of Art Kungl.Konsthogskolan, iaspis- The Swedish Arts GrantsCommittee's International Programme for Visual and Applied Artists, e-flux Architecture, Van Abbe Museum Eindhoven, Art Jameel, Art and Theory Publishing.

Refugee camps are established with the intention of being demolished. As a paradigmatic representation of political failure, they are meant to have no history and no future; they are meant to be forgotten. The history of refugee camps is constantly being erased and dismissed by states, humanitarian organisations, international agencies, and even by refugee communities themselves, who fear that any acknowledgment of the present condition in the camp may undermine their right of return to their place of origin. In tracing, documenting, revealing, and representing refugee history beyond the narrative of suffering and displacement, this book is an attempt to imagine and practice ‘refugeeness’ beyond humanitarianism. Photographic documentation by Luca Capuano.

English; Arabic

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