Fouad Bellamine : Fragments d'un miroir / Yasmine Naji
Material type: TextPublication details: Kulte Editions; 2013Description: 60p; 31x24cmISBN:- 9789954326244
Item type | Current library | Collection | Call number | Status | Date due | Barcode |
---|---|---|---|---|---|---|
Book | SAF Reference Library | Visual Arts | N4390-5098 21.239.FP (Browse shelf(Opens below)) | Available |
Browsing SAF Reference Library shelves, Collection: Visual Arts Close shelf browser (Hides shelf browser)
No cover image available No cover image available | No cover image available No cover image available | No cover image available No cover image available | No cover image available No cover image available | |||||
N4390-5098 21.238 Sergio Belinchon : Some Space 2003-2004 | N4390-5098 21.2385 Who Carries the Water | N4390-5098 21.2386 من يحمل الماء | N4390-5098 21.239.FP Fouad Bellamine : Fragments d'un miroir | N4390-5098 21.2405 The Unbearable Likeness : Abdelkader Benchamma | N4390-5098 21.2409 Adriana Beretta : Niamey Iferouane ((petites histoires incertaines)) | N4390-5098 21.241 About Menocchio we know many things : De Monocchio, nous savons beaucoup de choses. |
Fouad Bellamine returns to these slabs of night which are for him the steles of the cemeteries of Fez, the city where he was born. The night grass, the lichens, the light, the tombs of the Cemeteries of Fez series are like its Sainte-Victoire, of which Cézanne underlined the “perfume of distant marble”, a motif “where clarity is spiritualized”. He began “painting” them with a digital camera in the late 2000s, printing the photos on canvas, veiling them with paint. His Cemeteries are both childhood memories (when he played in the cemeteries of Fez) and a way of meditating on the passage of time, on absence and on the condition of existence.
French
There are no comments on this title.