An Eye for the Tropics : Tourism, Photography, and Framing the Caribbean Picturesque
Thompson, Krista A.
An Eye for the Tropics : Tourism, Photography, and Framing the Caribbean Picturesque / Krista A. Thompson - USA; Duke University Press; 2007 - 392p; 21x15cm
Illustrated with more than one hundred images, including many in color, An Eye for the Tropics is a nuanced evaluation of the aesthetics of the “tropicalizing images” and their effects on Jamaica and the Bahamas. Thompson describes how representations created to project an image to the outside world altered everyday life on the islands. Hoteliers imported tropical plants to make the islands look more like the images. Many prominent tourist-oriented spaces, including hotels and famous beaches, became off-limits to the islands’ black populations, who were encouraged to act like the disciplined, loyal colonial subjects depicted in the pictures. Analyzing the work of specific photographers and artists who created tropical representations of Jamaica and the Bahamas between the 1880s and the 1930s, Thompson shows how their images differ from the English picturesque landscape tradition. Turning to the present, she examines how tropicalizing images are deconstructed in works by contemporary artists—including Christopher Cozier, David Bailey, and Irénée Shaw—at the same time that they remain a staple of postcolonial governments’ vigorous efforts to attract tourists.
English
9780822337645
2006020428
G154.9-155.8 Travel and state. Tourism
Tropics.
Caribbean
G155.c35t35
338.4'7917292045-- / dc22
An Eye for the Tropics : Tourism, Photography, and Framing the Caribbean Picturesque / Krista A. Thompson - USA; Duke University Press; 2007 - 392p; 21x15cm
Illustrated with more than one hundred images, including many in color, An Eye for the Tropics is a nuanced evaluation of the aesthetics of the “tropicalizing images” and their effects on Jamaica and the Bahamas. Thompson describes how representations created to project an image to the outside world altered everyday life on the islands. Hoteliers imported tropical plants to make the islands look more like the images. Many prominent tourist-oriented spaces, including hotels and famous beaches, became off-limits to the islands’ black populations, who were encouraged to act like the disciplined, loyal colonial subjects depicted in the pictures. Analyzing the work of specific photographers and artists who created tropical representations of Jamaica and the Bahamas between the 1880s and the 1930s, Thompson shows how their images differ from the English picturesque landscape tradition. Turning to the present, she examines how tropicalizing images are deconstructed in works by contemporary artists—including Christopher Cozier, David Bailey, and Irénée Shaw—at the same time that they remain a staple of postcolonial governments’ vigorous efforts to attract tourists.
English
9780822337645
2006020428
G154.9-155.8 Travel and state. Tourism
Tropics.
Caribbean
G155.c35t35
338.4'7917292045-- / dc22